Author: Bodhi Anders

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Noftall is a baritone who has had a very musical upbringing back home in Fredericton, New Brunswick. This year, he makes his debut with HSOF as Papageno in The Magic Flute. Find out more about The Magic Flute here:

The Magic Flute (Die Zauberflote) (1791)

 

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This year, HSOF welcomes over 50 performers from around the world, including many from Nova Scotia and the Maritimes, all of whom underwent competitive auditions. We are excited to introduce Luke Noftall as a performer this summer!

Buy your tickets here:

https://www.tickethalifax.com/54495769/operafestival 

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Q:  When did you start studying voice? Where are you studying now?

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A:  “I started studying voice at the age of 8 with my teacher Mabel Doak. She had taught my sister before me, and played a huge part in my musical and vocal development. I still love getting to sing for her every time I come home from school. I’m currently pursuing my Bachelor of Music in Voice Performance at the University of Toronto, and will be going into my 4th year of studies this coming fall.“

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Q:  What is the best part about starting a new opera?

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A:  “The best part of starting a new opera for me is getting an opportunity to look at a role or character from a new and fresh perspective. It can be really easy to find great interpretations online, but being able to bring your own twist to a well-known character or work is what is so exciting about starting a new opera.“

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Q:  Who is your biggest inspiration in the opera world?

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A:  “My biggest inspirations in the opera world are singers like Dmitri Hvorostovsky and Bryn Terfel who are such incredible artists, as well as my amazing teacher Lorna MacDonald, my coach David Eliakis and my former teacher Mabel Doak.”

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Q:  Who is your biggest inspiration in the non-opera world?

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A:  “My biggest inspiration in the non-opera world is definitely my mother. She’s always been so extremely supportive and has always believed in my ability as an artist and singer.”

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Yeung is a soprano who began her musical journey in Hong Kong where she participated in various dramas and music productions. This year, she makes her debut with HSOF as the Second Lady in The Magic Flute. Find out more about The Magic Flute here:

The Magic Flute (Die Zauberflote) (1791)

 

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This year, HSOF welcomes over 50 performers from around the world, including many from Nova Scotia and the Maritimes, all of whom underwent competitive auditions. We are excited to introduce Lissy Meyerowitz as a performer this summer!

Buy your tickets here:

https://www.tickethalifax.com/54495769/operafestival  

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Q:  When did you start studying voice? Where are you studying now?

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A:  “I started singing in the Hong Kong Children’s Choir when I was 10 and began voice lessons when I was 13. I’m going into my final year at the University of Calgary in September. 

As a singer at an early stage, I’m not sure which kind of repertoires suits and interests me the most, there’s still a lot out there I would love to learn and explore.“

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Q: What has been your onstage experience or role that has been the most meaningful, exciting or successful for you? What do you long to do next?

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A:  “Messiah Debut Singer – My first professional gig and my first time singing with Baroque orchestra. I wish one day I could perform an oratorio on my own…. some Haydn or Bach would also be nice. 🙂“

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Q:  Who is your biggest inspiration in the opera world?

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A:  “Alex Tam, Laura Hynes – my teachers in HK and Calgary.”

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Q:  Who is your biggest inspiration in the non-opera world?

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A:  “Alex Tam, a teacher and mentor of mine who has been watching me grow as both me as a singer and the non-musician side of me for so many years. “I’m very anxious from time to time, but I chose to put it down, and go with the flow, because I know I simply can’t change everything. Take it as it is.” He completely changes the way I face challenges and view life as an artist.”

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Originally from Iran, Khorramian is an operatic tenor who took music lessons in Iran before moving to Nova Scotia where he is now furthering his musical knowledge. This year, he will be returning to HSOF as Hoffmann, in The Tales of Hoffmann, of course! Find out more about The Tales of Hoffmann here:

Les contes d’Hoffmann (Tales of Hoffmann) (1881)

 

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This year, HSOF welcomes over 50 performers from around the world, including many from Nova Scotia and the Maritimes, all of whom underwent competitive auditions. We are excited to introduce Koosha Khorramian as a performer this summer!

Buy your tickets here:

https://www.tickethalifax.com/54495769/operafestival  

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Q:  When did you start studying voice? Where are you studying now?

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A:  “I started to sing in choir 12 years ago. Recently, I have been studying voice for three years with my mentor, Jason Davis, at the Maritime Conservatory of Performing Arts and more recently have been working with Tara Scott as both repertoire coach and collaborative pianist. Previously,I also studied voice for one year with Ardalan Jabbari in Iran.“

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Q:  What is the best part about starting a new opera?

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A:  “It is always very exciting to learn a new role. However, I found that studying a new character and trying to feel the way character feels is the most exciting part. Creating the feelings that are embedded inside the music, making choices that sometimes are just live and are made at the moment based on the mode of the character, interacting with other singers on stage, and the music itself which express the thoughts of the character are so powerful that make you stay connected to the character and live another life on stage.“

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Q: What came first for you: theatre or music? Has your preference changed over time?

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A:  “First, definitely music came to me. Over time, the choices I made in singing are affected by the theatrical component of opera. The difference is very considerable in term of feelings and emotions when I sing on stage of opera and there is acting component in comparison to singing in concerts or solo. The theatrical part give a new soul to the singing part and enhance the impact of the performance I believe. “

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Q: What has been your onstage experience or role that has been the most meaningful, exciting or successful for you? What do you long to do next?

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A:  “One of the most exciting experiences of my life was performing as Don Jose in Bizet’s Carmen with HSOF in 2017 season. That was my first stage experience. I am really proud that I sang with HSOF, the team was very professional and all colleagues were quiet supportive so that I felt very convenient at the time of performance. I am very excited for singing as Hoffmann with them this time. I am sure that this adventure would be full of joy and excitement.”

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Hubert is a baritone who will be returning to HSOF for the third time in The Tales of Hoffmann. He will be performing four separate roles in this year’s opera: Lindorf, Coppelius, Dr. Miracle & Dapertutto! Find out more about The Tales of Hoffmann here:

Les contes d’Hoffmann (Tales of Hoffmann) (1881)

 

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This year, HSOF welcomes over 50 performers from around the world, including many from Nova Scotia and the Maritimes, all of whom underwent competitive auditions. We are excited to introduce MarKo Hubert as a performer this summer!

Buy your tickets here:

https://www.tickethalifax.com/54495769/operafestival  

[/et_pb_accordion_item][/et_pb_accordion][/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”http://halifaxsummeroperafestival.com/wp-content/uploads/2019/07/MarKo-Hubert-820×1024.jpg” _builder_version=”3.25.4″ border_width_all=”2px” border_color_all=”#707070″ box_shadow_style=”preset3″ animation_style=”fold” animation_direction=”left” animation_duration=”400ms”][/et_pb_image][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25.4″][et_pb_column type=”1_2″ _builder_version=”3.25.4″][/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25.4″][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25.4″][et_pb_column type=”1_2″ _builder_version=”3.25.4″][/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25.4″][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25.4″][et_pb_column type=”1_2″ _builder_version=”3.25.4″][/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25.4″][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25.4″][et_pb_column type=”1_2″ _builder_version=”3.25.4″][/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25.4″][/et_pb_column][/et_pb_row][/et_pb_section]

[et_pb_section fb_built=”1″ _builder_version=”3.25.4″ top_divider_color=”#707070″ top_divider_height=”52px” locked=”off”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”3.25.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” locked=”off”][et_pb_column type=”1_2″ _builder_version=”3.25.4″][et_pb_accordion _builder_version=”3.25.4″ toggle_font=”||||||||” body_font=”||||||||” min_height=”300px”][et_pb_accordion_item title=”Máiri Demings” open=”on” _builder_version=”3.25.4″ title_text_shadow_horizontal_length=”0em” title_text_shadow_vertical_length=”0em” title_text_shadow_blur_strength=”0em” closed_title_text_shadow_horizontal_length=”0em” closed_title_text_shadow_vertical_length=”0em” closed_title_text_shadow_blur_strength=”0em” body_font=”objectivity regular||||||||” body_text_color=”#707070″ body_font_size=”13px” toggle_text_color=”#707070″ toggle_font=”objectivity regular|500|||||||” toggle_font_size=”18px”]

Born in Springhill Nova Scotia, Demings is a mezzo-soprano who knew that opera was for her all the way back in junior high. This year, she makes her debut with HSOF as Nicklausse in The Tales of Hoffmann. Find out more about The Tales of Hoffmann here:

Les contes d’Hoffmann (Tales of Hoffmann) (1881)

 

[/et_pb_accordion_item][et_pb_accordion_item title=”The 2019 festival” open=”off” open_toggle_text_color=”#707070″ _builder_version=”3.25.4″ title_text_shadow_horizontal_length=”0em” title_text_shadow_vertical_length=”0em” title_text_shadow_blur_strength=”0em” closed_title_text_shadow_horizontal_length=”0em” closed_title_text_shadow_vertical_length=”0em” closed_title_text_shadow_blur_strength=”0em” body_font=”objectivity regular||||||||” body_text_color=”#707070″ body_font_size=”13px” toggle_text_color=”#707070″ toggle_font=”objectivity regular|500|||||||” toggle_font_size=”18px”]

This year, HSOF welcomes over 50 performers from around the world, including many from Nova Scotia and the Maritimes, all of whom underwent competitive auditions. We are excited to introduce Máiri Demings as a performer this summer!

Buy your tickets here:

https://www.tickethalifax.com/54495769/operafestival 

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Q:  When did you start studying voice? Where are you studying now?

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A:  “I started taking lessons when I was in the second grade. I pursued my Bachelor of music at Acadia University with Dr. Christianne Rushton. I recently completed my Masters of Music in Vocal Literature and Performance at The University of Western Ontario under the wonderful guidance of Torin Chiles.“

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Q:  What is the best part about starting a new opera?

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A:  “Exchanging ideas about the character, music and the plot with my fellow singers. Someone may have a different backstory for a character or pick up on a musical cue I missed. It takes this exchange to get a full picture of the show..”

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Q:  Who is your biggest inspiration in the opera world?

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A:  “Right now I love Isabel Leonard. It just blows my mind that the same woman can be a sensual Carmen in one moment and an annoying, lusty Cherubino in the next.”

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Q:  Who is your biggest inspiration in the non-opera world?

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A:  “I think Josh Ramsay from Marianas Trench has the best voice in the pop world right now. (My 14-year-old emo kid self is very happy I’m admitting this.)”

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