HOW TO APPLY TO HSOF
The 2018 Halifax Summer Opera Festival will run from July 14 to August 12, 2018. Our shows will be Monteverdi’s L’Incoronazione di Poppea, Britten’s A Midsummer Night’s Dream and Mozart’s Don Giovanni. More about the 2018 Season
WHO CAN APPLY?
The Halifax Summer Opera Festival is open to all performers, regardless of nationality or age.
We are committed to diverse, inclusive casting. For every role we seek qualified performers, without regard to race, age, color, national origin, sexual orientation or gender identity, within the confines of voice types (and sometimes not even then!)
Follow along for information about the application process, or go right to the application form.
TWO WAYS TO AUDITION: IN PERSON OR DISTANCE
As of October 4 we’re accepting applications for distance applications and Skype auditions, plus in person auditions in LONDON (November 5), TORONTO (November 11), MONTREAL (November 13 and November 14) and SACKVILLE (November 15). As we confirm dates for live auditions in Halifax and Wolfville we’ll add them here.
LONDON, ON — Sunday November 5, Western University, Faculty of Music, Room MB254, 1:30 pm to 6:00 pm
TORONTO, ON — Saturday November 11, University of Toronto, Edward Johnson Building, Rm 109, 11 am to 3 pm
MONTREAL QC — Monday November 13, 2135A rue Sainte-Catherine Est. Buzz Apt. A (very close to Papineau Metro) 5 to 7 pm
MONTREAL, QC — Tuesday November 14, McGill University, Wirth Opera Studio, 555 Sherbrooke Avenue West, 2 to 6 pm
SACKVILLE, NB — Wednesday November 15, Mount Allison University, Department of Music, 134 Main Street, Room 100, 7:30 to 9:30 pm
WOLFVILLE, NS —
HALIFX, NS —
In all cases you must arrange for your own accompanist. In Montreal, our head collaborative pianist, Giancarlo Scalia, is available both days for auditions — email him in advance at email@example.com
Please bring your headshot and bio/resume. There will be a form to fill out at the door, so be sure to arrive at least 10 minutes early. Unfortunately we don’t have places for you to warm up at the audition venues.
HSOF is open to everyone, no matter your citizenship, age or location. Nina reviews every distance application herself, and she casts many, many roles from distance applications, so rest assured that it’s worthwhile applying this way.
While we will accept distance applications until all roles are filled, to be considered with the first round please have your materials to us no later than November 21, 2017.
What to include
1. Upload/CD/DVD with three selections (video preferred but audio is acceptable) as described below – OR links to YouTube or other videos online, or, if sending by mail, a DVD/CD with three selections
2. covering letter
5. supporting material (reviews, letters of recommendation, etc.) if you wish to include them. They're not mandatory but if Nina hasn't worked with you before they can be a big help!
Submit by digital upload
If you are submitting your package via digital upload, after you fill in and submit the application form, you’ll be given information on how to upload your files to us. If you misplace that upload information, please email Chris and he’ll send it to you again.
Submit by snail mail
If you are submitting your package via mail, please send it to:
Halifax Summer Opera Festival
PO Box 1819
If you’re sending it by courier, our street address is:
Halifax Summer Opera Festival
177 York Street
WHAT SHOULD YOU SING?
For the audition, however you do it, we’ll ask you to prepare three selections, as follows:
1. One should be an aria for the character for which you wish to be considered, if that character has an aria. Or you can sing an excerpt from the role. This should be in the original language. Or pick an appropriate (language/style/voice type) substitute.
2. An aria, musical theatre number or art song in English, if #1 isn’t in English. If your #1 pick is already in English you can choose anything else that shows you off.
3 . Any other song or that really shows off your personality and voice. Personality and acting ability are very important to us, much more so than you might be used to. Nina casts lots of people on this basis.
If you don’t have any opera repertoire whatsoever, and are just getting started in this genre, we’re happy to listen to whatever you can bring. Musical theatre is just fine by us, as are art songs, if you’ve got nothing operatic. If the opera you want to be cast in is in a foreign language, do try to bring us something in that language. Most importantly, we want to see you and what you bring to your pieces.