An evening of varied, short operas, all written within the last 80 years and all accessible musically and dramatically. The Canadian premiere of Marc Blitzstein’s 1930 satire on Greek myth, The Harpies is joined by the gentle pastoral romance of Thyrsis and Amaranth by Boston countertenor and composer Steven Serpa. Canadian Neil Weisensel’s hilarious opera Gisela in Her Bathtub (1991) is a quirky tale of a woman desperately trying to finish her romance novel and Vaughan William’s Riders to the Sea (1937) has a special resonance for East Coast audiences as it tells the story of a woman who has lost all her sons to the sea.
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music director: Jennifer Szeto
vocal coach: Lucy Hayes-Davis
stage manager: Tessa Pekeles
The Harpies, by Marc Blitzstein (1930)
This operatic spoof of Greek mythology – and of musical neo-classicism – is also intended as a Depression-era allegory. Drawing on Greek mythological characters while satirizing the classical operatic form, with traces of pop music of the period and barbershop harmony thrown in for good measure, the opera expresses, in allegorical format, the composer’s attitude toward economic and political conditions as they existed at the time of the the Great Depression.
Set in ancient Thrace, the work has eight characters, balanced between tenor and soprano principals, a group of three female Harpies, and three male Argonauts. At the center is Phineus, a sightless oracle, who attempts to enjoy his dinner but is constantly attacked by the Harpies. Not only do they steal his food, they emit a foul odour as well. Jason appears on the scene with the Argonauts, and he promises to fight off the Harpies if Phineus will guarantee that the gods will continue to favor them. As soon as the Harpies are defeated Iris appears as a messenger of the gods. She promises Phineus that he will always be safe from the Harpies, and she dispatches them to experience various tortures. The philosopher can now eat his meal in peace.
stage director: Steven Bourque
THE HARPIES by Marc Blitzstein Sunday, August 5, 2:00 pm
Wednesday, August 8, 7:30 pmTuesday, August 7, 7:30 pm
Sunday, August 12, 2:00 pm
Phinneus, a blind oracle Nicholas Fuqua (MI) William Ford (ON)
Aello, a harpy Laura Noack (NY) Allison Mills (NY)
Ocypete, a harpy Caroline Gélinas (QC) Michelle Siemens (BC)
Celaneo, a harpy Nicole Smith Milena Bolaños (ON)
Zetes, an Argonaut Pedro Arroyo (PR) Michael Hart (NS)
Calais, an Argonaut Alexander Wilson (MI) Alexander Wilson (MI)
Jason, an Argonaut Phillip Rego (ON) Phillip Rego (ON)
Iris, a messenger Meghan Jamieson (NS) Rachel Wood (ON)
Gisela in Her Bathtub, by Neil Weisensel and Michael Cavanagh (1991)
In this comic Canadian opera, Gisela lounges in the tub to soak her modern cares away while she finishes reading an epic historical romance. The setting of the novel is wind-swept ninth century Iceland. the world’s first Parliament, the althing, has just been established, where godars (tribal chieftains) elect a lawspeaker to guide them. Great loves are won and lost, blood is shed, and the bathwater of the gods is splashed on the tile floor of antiquity.
stage director: Bonnie Archibald-Awalt
GISELA IN HER BATHTUB by Neil Weisensel Sunday, August 5, 2:00 pm
Wednesday, August 8, 7:30 pmTuesday, August 7, 7:30 pm
Sunday, August 12, 2:00 pm
Gisela Nicole Smith Nicole Smith
Helga Meghan Jamieson (NS) Rachel Wood (ON)
Olaf Pedro Arroyo (PR) Michael Hart (NS)
Lawspeaker Snorre Alexander Wilson (MI) Phillip Rego (ON)
Thyrsis & Amaranth, by Steven Serpa (2010)
A charming pastoral opera for countertenor and soprano, based on a fable by Jean de la Fontaine. Thyrsis loves Amaranth, but does she love him in return?
stage directors: Andrew Pelrine and Nina Scott-Stoddart
THYRSIS & AMARANTH by Steven Serpa Sunday, August 5, 2:00 pm
Wednesday, August 8, 7:30 pmTuesday, August 7, 7:30 pm
Sunday, August 12, 2:00 pm
Thyrsis Collin Shay (CT) Nicholas Fuqua (MI)
Amaranth Allison Mills (NY) Victoria Borg (ON)
Riders to the Sea by Ralph Vaughan Williams, play by J.M. Synge (1937)
A tragic opera, by English composer Ralph Vaughan Williams. Maurya has seen her husband and four of her six sons drowned. The fifth, Michael, is missing and the sixth, Bartley, rides away to a horse fair. The daughters, Cathleen and Nora, try to keep from their mother a shirt and sock taken from the body of a drowned man — they are Michael’s. Women begin to enter the cottage, keening. Bartley has been thrown into the sea by his horse. Now all her sons are gone; Maurya has no more fear of the sea, no more hope in the world. She sits desolate and alone, and sings a powerful hymn of loss and resignation.
stage director: Anne Morison
RIDERS TO THE SEA by Vaughan Williams Sunday, August 5, 2:00 pm
Wednesday, August 8, 7:30 pmTuesday, August 7, 7:30 pm
Sunday, August 12, 2:00 pm
Maurya Erin Passmore (AB) Nina Scott-Stoddart (NS)
Cathleen Victoria Borg (ON) Meaghan Jamieson (NS)
Nora Margaret Cormier (QC) Melody Thomas (ON)
Bartley Phillip Rego (ON) Phillip Rego (ON)
A Woman Michelle Siemens (BC) Nicole Smith